← Return to Catalogue
Lot 6. SIR IVOR HENRY THOMAS HELE, C.B.E. (1912-1993)

"Scaling the Cliffs, South Coast" (Port Willunga)

Oil on Board
60x90cm
Signed Lower Left, Dated 59
Prov: Corporate Collection Adelaide

Frame size: 86x116cm

Condition: Painting is in lovely condition, no visible faults, marks or concerns to report. Work is in Period/traditional frame and in lovely clean and original condition.

$40,000-60,000


Executed with the clarity of observation and compositional discipline that define his finest landscapes, this view of Port Willunga demonstrates Sir Ivor Hele’s ability to interpret the South Australian coastline with both authority and restraint. As a lifelong South Australian, Hele retained a strong connection to the environments of the Fleurieu Peninsula, returning to locations such as Port Willunga where the interaction of land, sea and light provided a compelling framework for his structured approach.

Best known for his achievements as a war artist and portraitist, Hele’s landscape practice reveals a quieter but equally considered dimension of his work. In coastal subjects, he moved away from impressionistic handling, instead constructing compositions through a careful organisation of form and tone. This approach reflects his academic training and his emphasis on draughtsmanship, where the underlying structure of the landscape is given primacy.

Port Willunga, with its sweeping shoreline and distinctive eroded cliffs, offered an ideal subject for this method. Here, the recession of the coastline and the geometry of the cliff faces are balanced against the open expanse of sea and sky, creating a composition that is both stable and expansive. The scene is not treated as a fleeting impression, but as a resolved and enduring presence.

Within his broader output, works such as this form an important counterpart to his
inland landscapes, reinforcing his sustained engagement with South Australian subject matter. In Port Willunga, Hele captures both the physical character of the coastline and its broader significance within his practice, where structure, place and observation are brought into careful alignment.